everybody does floyd…

by spoon on December 31st, 2009, while listening to Miike Snow - Miike Snow [Downtown Music, 2009]
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we all  love pink floyd.  pink floyd is so famous that, alongside the reasonable body of affable music aficionados, the band draws credence with the collar poppers, the stringed pearl wearers, the eighteen-wheelers and the eighteen karaters, the square bageleers (pronounced bagel-ears), the preteenie princes and princesses, the two-piece bouldevard babes, the traically beautiful and ironically pink-and-black tapered-jean junkies and even jerks from down on motherfuckin frat row… pink floyd is so famous that the sound city engineering company (of the dallas arbiter co., for the tech geeks) has’t been entirely obscured by the cruel forces of time and tepid memory and even hiwatt has become a something of a household name… pink floyd is so famous that pluto has orbit-envy and gravitational doubts; that meteors stop by for a listen and the comets beg for an occasional outer-space sea change in hopes of a shift in trajectory.  pink floyd is sooooo famous that other bands practice the lecherous act of covering to push the breadth of their popular appeal. some do… and succeed.  others?

take, for instance, dub side of the moon, that immeasurable piece of debris that once fell from the breathing mouths of the easy star all-stars.  not only does this troupe of imbeciles do little more than re-arrange the tracks of the album into a satchelfull of 2-4 one-drops, but commit other offenses as well.  removed is such a token moment as the cash register sounds heard during the into to “money” and in its place one hears the sound a guy pulling binger & coughing his brains out; “eclipse” is four-foured into a bass-heavy, mid-scooped rastaman nightmare; and four more best-of covers are added to the end of the album despite the fact that the band knew (or should have known) that the thing is complete in and of itself & the unnecessary extension of such a thing is treachery.  don’t get me wrong, i love me some good reggae.  give me some lee perry or b-marley any day, but the easy star all-stars can play hide-and-go-fuck-themselves until they unearth some acumen inside the swirling, jamaic-devoid heads ravaging their duo-tones and four-piece-trap-kits.  (sweet sassy molassey, you sure are angry… yeah, maybe that’s a bit harsh,  but i’m just making a point…)

anyway, cover songs tend to be little more than failed adaptations of a thing with preexisting value; a banal re-creation.  the formerly discussed reggae album goes yet further than this, but emerges a poor re-conception.  remember sublime?  remember the bradley nowell cover of the dead’s “scarlet begonias?”  gold.  it certainly isn’t the original, and doesn’t simply force the object of coverage into a set of genre-specific tropes either: the song is new again.  Scissor Sisters (to bring the discussion back to floyd) put out a righteous disco cover of comfortably numb on their debut, eponymous album.

so, to finally get down to it, everybody does floyd.  it’s true.  from the deficient dave matthews to all the four-piecers wasting away in the jamband scene to the reggae rockers and the shoegaze crybabies and (finally, dare i say) the psychotic minds of the flaming lips,  stardeath, white dwarfs, henry rollins and peaches.   and as one may imply from my rambling, this album is a monster of an accomplishment.  in line with two analogous maxims of statutory interpretation, expressio unius est exclusio alterius and esjudem generis, good cover may be defined by the explication of what it is not.  while i will say that the musical execution is spectacular and that the lips & friends succeeds in re-conceiving the album in the same seamless-storyline manner as floyd had done originally (whereas the aforementioned dark side reggae cover album failed miserably), the most impressive aspect of this work is that the first time i heard it, dark side of the moon sounded new again.  and it gets better with time.

bottom line: pure genius: re-done from the bottom up with all the nuanced detail you expect, just different.  and now, for your listening pleasure…

Scissor Sisters – Comfortably Numb

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from: Scissor Sisters – Scissor Sisters [Polydor, 2003]

The Lips & Friends – Dark Side of the Moon

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from: The Flaming Lips and Stardeath and White Dwarfs With Henry Rollins and Peaches – The Dark Side of the Moon [2009]

Merrrrry Xmas from the Linkwood Familia

by spoon on December 27th, 2009, while listening to
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in the spirit of xmas holiday cheer, i bring you the linkwood family–purveyors of electro funk.

just hear it–i can say no more.

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from: VA – Firecracker EP [Firecracker, 2008]

Z is for Zappa

by spoon on December 21st, 2009, while listening to The Brian Jonestown Massacre - One EP [A Records, 2009]
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Two gems from the recent Philly ‘76 release. Interestingly enough, the lineup includes Bianca on vocals and on young Mr. Eddie Jobson (Jethro Tull, anybody?) on voiolin. Listen to Black Napkins below and see for yourself how this changes structure and play of this already loosely structured and highly molested tune… molested in a sense that it has been disturbed by the physical (musical) interference of the various players present for its execution, not the *bad* molest. FZ: you are my god.

1. City of Tiny Lites
2. Black Napkins
from: Frank Zappa – Philly ‘76 [Vaulternative, 2009]

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singularity is near, says ray kurzweil

by spoon on December 21st, 2009, while listening to The Heliocentrics - Fallen Angels, The Singles Collection [Stones Throw, 2009]
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four albums, all sort of electro-psychedelic indie rock robot-dance-music… i insinuated that i hated this kind of garbage yesterday, but that’s not true.  well, as the elders always said: there are exceptions to every rule.

anyway, i don’t want to wax philosophic too hard and risk boring myself to tears here, but i’ll just say that this isn’t robotic in a ratatat “we play music on a sega genesis” sense, but more like the kurzweil (hence the reference to singularity) “we’re nearing a point where human instrumentation mirrors, but is not identical to, low-bit electronically-produced sounds. make sense? okay, fine… see the little dragon album (released 31 august, 2009) for an explanation; it’s required reading and i want to see a a 5-7 page paper on my desk by morning. listen on & enjoy…

http://www.beatitdracula.org/wp-content/themes/default/cr-image.php?text=8.2
http://www.beatitdracula.org/wp-content/themes/default/cr-image.php?text=8.2
Bear in Heaven - Beast Rest Forth Mouth [Hometapes, 2009]Bear in Heaven – Beast Rest Forth Mouth [Hometapes, 2009]

the lovechild of a threesome between the beta band, school of seven bells, and caribou is bear in heaven. …i know it’s an awkward configuration (i.e.: so many legs, so many instruments, so little overlap and such a strange result!). the music is driving and spacious with airy, ethereal vocals, robotically in-control drumming and super sweet guitar and synth work floating alternately above, beside, and beneath the beats as the music flows along. it is not a completely new sound, but that said, it’s a damn good album: part chill, part dance, part indie rock, part instrumentelectro night terror…

» Indie electronic experimental shoegaze

http://www.beatitdracula.org/wp-content/themes/default/cr-image.php?text=7.0
http://www.beatitdracula.org/wp-content/themes/default/cr-image.php?text=7.0
Flairs - Sweat Symphony [Third Side Records, 2009]Flairs – Sweat Symphony [Third Side Records, 2009]

pretty good, bassy electronica from an lcd-soundsystem-obsessed french dude. …it’s not implicit–like the way james murphy sings about daft punk–but you can tell mr. lionel flairs has got a thing for the dance-punk sound. it’s all-in-all a good album with some fat that could be cut… namely the jerkoff song “better than prince.” ehhh. however, the there is a pretty wicked (and also infinitely offensive [and probably too disgusting for most normal people, but i find it pretty entertaining]) video for the song “trucker’s delight,” which can be seen here. good luck!

» 8Bit Electro Indie Pop

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http://www.beatitdracula.org/wp-content/themes/default/cr-image.php?text=7.7
Dengue Fever - Sleepwalking Through The Mekong [Barbes, 2009]Dengue Fever – Sleepwalking Through The Mekong [Barbes, 2009]

ever wonder what a traditional psychedelic kabuki-freak tet nguyen dan festival looks like? …yeah, probably doesn’t exist. but maybe. dengue fever’s album “sleepwalking through the mekong” bounces between out-of-this-world zippy poppy little lacey numbers and more traditional sounding (what the fuck do i know?) tunes. the singing is in khmer and english and, contrary to what you might believe after hearing the album, the band is not from cambodia, they’re from l.a. however, many of the tracks are covers of 60’s cambodian pop songs, so don’t worry too much about the faker element… because they’re not.

» Indie Pop World cambodian dance psych folk

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http://www.beatitdracula.org/wp-content/themes/default/cr-image.php?text=8.7
Little Dragon - Machine Dreams [Peacefrog Records, 2009]Little Dragon – Machine Dreams [Peacefrog Records, 2009]

little dragon’s first album brought the r&b grooves, then a year later they drop this. …and who knew a band could transition so cleanly from playing music one would expect to hear in a smoky basement jazz club to music one would expect to find at a pbr dance party. what i mean to say is that this album is fantastic, the quality of the music is just there: song composition & smart use of ’space’ really gives singer yukimi nagano a brilliant stage to show off her vocal abilities. the songs are catchy & techy–not nintendo techy, but just toeing the line of techy enough techy–and the album as a whole takes on a feeling of maturity and direction. definitely recommended…

» Indie Pop dance electronic

R. Kelly is such a moron.

by spoon on December 20th, 2009, while listening to 2562 - Unbalance [Tectonic, 2009]
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R. Kelly reeeeeally hopes you like/buy his latest excretion... girl.

R. Kelly reeeeeally hopes you like/buy his latest excretion... girl.

what is the root of my unreasonable fear for the future of music? thing a: r. kelly is a pop superstar and he has the gall to produce songs like “pregnant” [youtube link--because aint no r. kelly gonna sue me for hosting his piece of shit song on my site] and call it “the new secret garden.” thing b: the average fan of music hears his lightly-modulated croon and some sexified tyrese beat and, for some dumb reason, melts into a puddle of mirth. thing a plus thing b equals the self-perpetuating problem with music.

why do you think pregnant (to be included on r. kelly’s forthcoming album entitled “untitled”–presumably for lack of awareness that nas did the same thing last year) is going to be an international hit? i’ll tell you: because there was a slightly less dumb song that preceded it, which was also preceded by a slightly less dumb song, which was preceded … continue ad infinitum and you get a chain of banalities that may connect to a respectable pop song somewhere down the line. but the fact that chodes like r. kelly have slowly popularized a bunch of progressively worse donkey shit songs means that the trend will continue. and the people eat it up, scraping dirty sanchez’ onto their upper lips and giving the stink face to the kind of music we listen to here: good shit, quality shit, thoughtful shit and interesting shit.

anyway, he wrote this particular trough of slop in less than thirty minutes and came up with little flashes of brilliance along the lines of the following: “telling myself I’m a playa so i keep tryna shake it off, But I keep on seeing this big old house with a picket fence and a dog, Never felt nothing like this, Shes more than a mistress enough to handle my buisness, Now put that girl in my kitchen.” really? new secret garden, huh.

anyway, how a person can take this kind of nonsense seriously is beyond me. how you can listen to it and not find it slightly offensive to an ordinary expectation of artistic integrity is yet farther along that same path. i fear for all the chumps who will fall to the false sense of allure this song confers. you know: they got the cool water and leopard sheets; a fancy blue-led stereo with mini-tower speakers shaped like ufo’s; a big mirror and a boudoir stuffed full of sub-classy untailored suits. they bring a girl home and, reaching around her body-stuffed, frumpy dress along the line of her underpinnings, touches a sleek remote and here it comes: the openin synth lines of “pregnant.” and she likes it. jesus.

freak folk, psych americana, indie whatever.

by spoon on December 20th, 2009, while listening to RJD2 - Tin Foil Hat [RJs Electrical Productions, 2009-VINYL]
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hipsters annoy me. music that people attribute to hipsters sometimes has a tendency to annoy me too, especially when the genre is prefixed or suffixed with “dance” or one more more of the words “crystal,” “data,” “dance,” or “castle” is included in the name of the band.  this is all irritating enough to render everything that is not this a little like sweet cries from the mouth of sweet baby jesus, tucked away in a manger and wrapped in his swaddling clothes. okay, maybe not all if it, but you see what i mean, right?  insanity.

warning: at least one member of ALL of the following bands is known to be ironically mustachioed, have been seen wearing plaid shirts of an ironically small size (sometimes with suspenders), dangle an ironically massive collection of keys from a not-for-climbing carabiner hooked to the rear-right belt loop of a pair of low-rise-tapered-grey-acid-washed and anachronistic jeans, tie gender-bending lace filigree scarves around their necks or wrists despite a dearth of requisite weather and/or affix skeletal representations on their clothing, accessories, fixed-gear bike, etc. also note: i am known to hate from time to time.

that fact notwithstanding, the following albums make me want to squeeze into my black skinny jeans, put on my thickblack rimmed glasses, reach for my black silken handkerchief and cheer along with all those goofy/hip bastards while bemusing to myself, we are that which we destroy… bah! below you will find some really really really all pretty decently awesome albums full of music, so read on & enjoy…

http://www.beatitdracula.org/wp-content/themes/default/cr-image.php?text=9.0
http://www.beatitdracula.org/wp-content/themes/default/cr-image.php?text=9.0
Fleet Foxes - Fleet Foxes [Sub Pop, 2008]Fleet Foxes – Fleet Foxes [Sub Pop, 2008]

how does a man who looks like he just returned from a witch hunt live at large in our modern-metrosexual world? see robin pecknold, conceptioniste of the americana juggernaut, fleet foxes. …seriously: stovetop hats! anyway, maybe it’s a chiken-or-the-egg question since the music itself sounds just like the image the band projects (which is that of a group of travelers just-in-from-the-cold and stretching their legs out around the hearth with a glass of scotch and a dusty phonograph crackling in the corner.) oh, and the vocal harmonies on this album are spectacular.

» Folk Indie americana

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http://www.beatitdracula.org/wp-content/themes/default/cr-image.php?text=9.2
Grizzly Bear - Veckatimest [Warp, 2009]Grizzly Bear – Veckatimest [Warp, 2009]

attractive and sparse stripped-down folk rock that sounds kinda acoustic but really, it’s not that at all. grizzly bear wrings out some pretty beautiful and intense compositions with grace and subtlety; they fool around with strange vocal arrangements and really, more than most bands playing out these days, use instrumentation wisely and appropriately, which makes for vedic calms and orchestral climaxes. and they play well live, too. glorious…

» Indie psych folk

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http://www.beatitdracula.org/wp-content/themes/default/cr-image.php?text=8.2
Final Fantasy - He Poos Clouds [◘◘◘◘◘◘ Recording Club, 2006]Final Fantasy – He Poos Clouds [◘◘◘◘◘◘ Recording Club, 2006]

dude with straight hair combed over eyes plays violin, sings in falsetto. …except his skillz on the ‘lin are pretty ridiculous, his falsetto is not over-used and his music is, all things considered, pretty good. final fantasy is the brain child of Owen Pallett, who seems to drive the sound with his lyrics and his virtuosic instrumentation; the music is andrew-bird quirky with strange lyrics, interesting and varied compositional styles and some nasty violin runs… pitchfork and yourstru.ly produced a prety good live recording: link.

» Folk psych folk violindie

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http://www.beatitdracula.org/wp-content/themes/default/cr-image.php?text=8.3
The Snake The Cross The Crown - Cotton Teeth [Equal Vision, 2007]The Snake The Cross The Crown – Cotton Teeth [Equal Vision, 2007]

i don’t know what to say other than, “it’s just some quality folkish, rockish indie music from a bunch of canadian dudes.” so, it’s just some quality folkish, rockish indie music from a bunch of canadian dudes. has a sort of dylan vibe at times leaning towards the fleet foxes patent “salemnity” (get it? salem, massachusetts…) and then they get kinda shins on ya with distorted electric guitar hooks and heavy drums. it’s really quite good.

» Folk Rock alt country alternative americana

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http://www.beatitdracula.org/wp-content/themes/default/cr-image.php?text=8.6
Edward Sharpe & The Magnetic Zeroes - Up From Below [Rough Trade, 2009]Edward Sharpe & The Magnetic Zeroes – Up From Below [Rough Trade, 2009]

former ima robot frontman churns out some new (better?) tunes with a circus-on-stage approach and a totally i-want-to-marry-you-now female vocalist. …yeah, she rocks. and so does this album: the tunes are catchy and controlled and have strange secret powers over your dancing muscles. it’s a sort of arcade-fire-esque tour-de-forceful-entry-into-your-brain: you just can’t not listen.

» Indie psychedelic rock

“downbeatdubstep defeats the emo kids”

by spoon on December 18th, 2009, while listening to Portico Quartet - Black and White Sessions [Babel, 2009]
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four phefuckingnominal sort-of-dubstep albums from 2009 that have all been sitting on the “just played” pile since i got them. probably some of the best music i’ve come across of its kind–all somewhat related, all unique in some way. anyway: no half-sleeve bullshit, no whining about feelings… no power chords. get the loudest set of cans you own and blast off with…
http://www.beatitdracula.org/wp-content/themes/default/cr-image.php?text=9.2
http://www.beatitdracula.org/wp-content/themes/default/cr-image.php?text=9.2
Architeq - Gold and Green [Tirk, 2009]Architeq – Gold and Green [Tirk, 2009]

Kid Kameleon say: “Architeq’s command of beats, space, sonics and timing is masterful. Rarely do you hear tracks that manage to take in the rare, sad, strange sonic magic of buzzing 80s synths, the head-nodding pleasure of the best hip-hop tracks of the past two decades, and the fearless rythmic experimentation that’s now possible in 2009 and beyond.” …and he’s right. a few weeks after this album was released i was spending quality time unloading my savings at my favorite record store; long-beard guy had on some martyn (see next album…) when i got there… the album ends &then he drops this little piece of genius; i couldn’t keep digging it was so good. so i went and asked the guy who it was and bought it immediately. we’ve been in love ever since, me and this album. anyway, it’s the style is somewhere near the intersection of dubstep and deep, dark bassment downtempo filth. complex arrangements, surgical affectation with the few (and outstanding) vocal tracks, mood like a million of those cheap novelty rings… so fucking good i can’t even explain.

» beats downbeat dubstep electronic wonky

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http://www.beatitdracula.org/wp-content/themes/default/cr-image.php?text=8.9
Portformat - The Repeat Factor [Tokyo Dawn Records, 2009]Portformat – The Repeat Factor [Tokyo Dawn Records, 2009]

senegalese experimental hip hop sounds nothing like you’d expect it to sound. …and that’s not a bad thing. portformat absolutely crushes on this album–for a debut, the production sounds uniquely mature and red-carpet starzzz of the r&b world who join in from time to time seem to agree that this guy’s got some talent. it isn’t mainstream by any stretch of the imagination, but it isn’t so far out there (think clouddead or cannibal ox) that you have to invent a whole new genre like space hop or something. although it might find a home there anyway…

» beats electronic experimental hip hop hip hop wonky

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http://www.beatitdracula.org/wp-content/themes/default/cr-image.php?text=9.1
Martyn - Great Lengths [3024, 2009]Martyn – Great Lengths [3024, 2009]

the sum of all dutch genius: the icj, legalization and 3024. …there’s no way to force this music into any genre neatly, wholly or with any civility. much of what martyn does is just that: what martyn does. i might go so far as to say that he’s the radiohead of the electronic music scene and, like radiohead, is a genre-defining, role-model-being juggernaut of an artist. ‘great lengths’ is one of the rare albums that comes along and sits you down, throws its arm around your shoulder and explains that you just don’t know as much as you think you do about the world… and then with its other hand reveals a case of beer and cracks a few open. you both sit there on the bench or couch or wherever the intervention happened and get loaded together. know what i mean? no, i don’t know what you mean. oh. maybe it’s just a me thing…

» drum & bass dubstep electronic

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http://www.beatitdracula.org/wp-content/themes/default/cr-image.php?text=8.9
The Clonious - Between the Dots [Ubiquity, 2009]The Clonious – Between the Dots [Ubiquity, 2009]

part-hiphop, part break, part jazz, part downtempo et al; every side is a new adventure! the clonious is the austrian Paul Movahedi: beat navigator, dance instigator, one-score-and-three-year-old tone bender… ‘between the dots’ has got the compulsory twitch-pullers for the beat junkies and a slew of genre-crossing influences to satisfy the bespectacled music nerds and the smokeskulled acid jazz fans and all the beats down on the roux st. etienne ed dans les Café du nombre ‘Saint-Germain-des-Prés.’ it’s super legit….

» acid jazz beats downbeat electronic

eye dee emm: descent sounds from a descent genre

by spoon on December 14th, 2009, while listening to Electric Wire Hustle - Electric Wire Hustle [Every Walking Hour, 2009]
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here we go… episode one. luckily the last few weeks have consisted entirely of finals or i never would have found the time to write this site up & get things moving. whatever, no explanations now because i have shitloads of shit to learn before my last three hour essay odyssey beginning at one p.m. tomorrow, the fifteenth of december, 2009. so can we get to the point, already? i don’t care about some test you have to take… fine, fine, you pushy s-o-b.

today: three idm/electronica gems straight from the southern hemisphere… i really didn’t plan that, by the way. i refuse to put any more effort into this because i’ve sapped all my creativity writing code. read on & discover…

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http://www.beatitdracula.org/wp-content/themes/default/cr-image.php?text=7.4
Giraffe Incognito - The Pursuit Continues [web, 2009]Giraffe Incognito – The Pursuit Continues [web, 2009]

diy tazmanian aussie ex-pat (after weeks of life) pushes the strings… and jumps really, really high, too! Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet.Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet.

» IDM ambient electronic

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http://www.beatitdracula.org/wp-content/themes/default/cr-image.php?text=6.7
Electric Sea Spider - The Thief [Mam!Records, 2009]Electric Sea Spider – The Thief [Mam!Records, 2009]

melbourne native and solo producer electric sea spider throws down a digestible idm gem in “the thief.” …but it’s just good, not great. the problem with a lot of the newer & extremely categorical albums of the same genre is that they are just that: bound to the genre. and, unfortunately, it just isn’t terribly interesting absent any sort of outside influence. tiki obmar put down some of the best in the business in the early two-thousands, and i’ve been keeping up since in hopes that somebody will follow suit. so far nothing can stand up to that kind of righteousness… but this does all right for itself.

» IDM ambient electronic

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http://www.beatitdracula.org/wp-content/themes/default/cr-image.php?text=7.9
Alpha Channel - Exotic Tales [Omelette, 2009]Alpha Channel – Exotic Tales [Omelette, 2009]

may the world’s smallest continent represent: kiwi-ozzi duo drops some nasty-eclectic beats upon which middle earth shall suckle. …until the juice-run-down-their-legs. the only issue i have is that they, like their french-cryptic (and original) predecessors, purport to be robots. everything else these dudes are doing is pretty fresh. like the name of the album implies, there’s a lot left-of-center and diversity abound. think lemon jelly with a little aphex-twin-slash-amon-tobin and some hints of early bassnectar to boot. the mid-nineties ethnic trance vibe is ever-present, but it’s been turned by minds of the new millenium. equally enjoyable on the couch, in the car, drunkernshit on a fridayeveningsaturdaymorning & definitely worth a listen for those of the lofi&downbeat persuasion.

» beats downbeat electronic